HAMA are supports used during ceramic firing to prevent deformation or sticking. Handmade for each vessel, they are often discarded after use, quietly playing a crucial role behind the scenes.
High-temperature pre-firing makes HAMA durable and stable, yet their resistance to glazes and dyes makes processing and reuse difficult.
This project reimagines HAMA by reintroducing design and structure, turning what was once disposable into objects of value. By exploring their form, material, and function, HAMA transcend their role as ceramic tools. They become sources of inspiration for materials and artworks, evolving into sustainable products and art objects that resonate with contemporary life.
HAMA Reimagined brings together five creators from different fields. Gongjin Liu, a carpenter and wood designer, supports projects on-site through interior and exterior work as well as furniture making. Takahiro Shiramizu, founder of Unagi no Nedoko, collaborates with local producers in Kyushu to promote regional culture. Ceramic artist Yuki Inoue inherits the traditions of Arita ware while exploring new expressions through collaborations with fashion and art. Textile designer Hana Mitsui translates Japanese traditional techniques into contemporary works, presenting them both domestically and internationally. Product designer Yasuhiko Suzuki focuses on designs that highlight the unique qualities of materials. By intersecting these diverse perspectives, the project expands the possibilities of HAMA.