AT FIRST CONTACT explores surface as a condition of perception: the point where an object first meets the observer. Rather than approaching surface as decoration or finish, the exhibition considers how it shapes the way material, form and meaning are seen and understood.
Bringing together international practices across art and design, the exhibition examines how surfaces can reveal or conceal, reflect or distort, and register processes of production, transformation and time. Through different approaches to material and making, surface becomes inseparable from the identity of the object itself.
Together, the works position surface not simply as a boundary, but as a threshold through which material and perception are continuously negotiated.